Farm-laborer-turned-artist Vance Igorta returns to the Philippines as a balikbayan after nearly fifty years in the United States. He is a member of the Manong Generation, the largest diaspora of Filipinos who worked physically demanding jobs, mostly in California’s agricultural fields. Coming home to a country on the brink of becoming a dictatorship, Vance’s paintings shift from abstractions to didactic, political art to better reflect the rebellion that he eventually joins. This—inspired by and dedicated to Venancio C. Igarta (1912–2000), the real-life leading artist of the Manong Generation—takes readers from the early twentieth century to the present day when Vance Igorta’s art is being discovered anew. His legacy is validated for allowing his art to address the tensions of his time instead of keeping it solely entrenched in aesthetic concerns.